$13 adv | $15 day of show
9pm doors | 9:45pm show
On sale Fri, 3.27 at 2pm
TAUK is heavy instrumental rock fusion created by Matt Jalbert (guitar), Charlie Dolan (bass), Alric “A.C.” Carter (keyboard-organ), and Isaac Teel (drums). The transcendent instrumental band seamlessly brings together genres as diverse as melodic rock, fusion, gritty funk, progressive rock, ambient, classic rock, hip hop and jazz.
The Oyster Bay, New York-based quartet has received accolades from a number of tastemaking authorities, including an “On The Verge” feature in Relix Magazine and frequent rotation for the singles “Mindshift”, “Sweet Revenge”, “Dead Signal” and “In the Basement of the Alamo” on Sirius XM Jam On. Despite their years of experience as a musical unit, the quartet is a young promising band that Jambase calls “a guaranteed quickly-ascend band.” The Washington Post describes the band by saying: “TAUK’s instrumental music melds genres and styles, creating a hard-charging, often melodic fusion that – thanks to a penchant for improv – offers limitless possibilities” and The Deli Magazine singles out the band’s compelling melodic sense through explaining: “the quartet has a rare ability to channel emotional melodic leads, and all without a lead singer.”
The band’s latest album, Collisions, is a breakthrough in that it finally captures the essence of TAUK’s entrancing live shows. It’s a thoughtfully composed album with captivating hum-along melodies, but this time the band was able to road test the songs, allowing the recorded versions to reflect the group’s adventurous improvisations. The 10-song album spans delicate ethereal textures, highly imaginatively funky drumming, labyrinthine arrangements, and fiery solos—often in the same song. “We called it ‘Collisions’ because it calls to mind how, when things come together, it is often explosive and leads to something completely different,” bassist Charlie Dolan explains. Alric “A.C.” Carter, keyboard-organ, adds: “It also evokes how we are very different as people, but within the band, we find a way to work together and compliment each other’s musical ideas as an egoless unit.”
On Collisions the band worked with longtime collaborator Grammy-winning producer Robert Carranza (Mars Volta, Jack Johnson). Carranza helped the band find the optimum mix of song structure, breathing jam sections, and warm & clear fidelity. Also enhancing the experience of Collisions is the album’s stunning puzzle-like cover art done by Jeff Jordan, graphic artist who previously worked with Mars Volta, among others. The album’s deconstructed and post-modern abstractness perfectly reflect the sonic character of the music. Alric “AC” Carter explains: “In the artwork it’s clear to see there are many parts that build the entire picture. It’s like a song where some parts play supporting roles and other sections instantly grab your attention. However, the most important aspect is the bigger picture.”
TAUK has built a dedicated and loyal fanbase through tireless touring. Festival highlights include Bonnaroo, The Hangout Music Festival, Summer Camp, LOCKN’, Hudson Project, FloydFest, Bear Creek, Art Outside and The Allman Brothers’ Peach Fest. TAUK’s broadly appealing musicality has allowed the band to be direct support to such diverse artists as The Funky Meters, Robert Randolph & the Family Band, Papadosio, Lettuce, Karl Denson’s Tiny Universe, moe., Dopapod, Tim Reynolds & TR3, Toubab Krewe, The Revivalists and many more.
It’s been an astounding journey for the musicians, in terms of four very different personalities conceptually colliding until they merge through inventing a collective musical lexicon.
Jonathan Scales Fourchestra
Jonathan Scales Fourchestra is an example of musical sincerity. Weaving together collective and individual influences without compromise, they are as much themselves as they are a unit—a crucial trait of landmark instrumental ensembles. Equally captivating is steel pannist and founder Jonathan Scales’ compositional skill as is his tasteful, avant-garde improvisational approach. Driftwood Magazine says "Scales is to steel pans ….what Béla Fleck is to the banjo—an über innovator." Drummer and percussionist Phill Bronson drives the Fourchestra’s time-shifting, modern grooves with graceful polyrhythmic chops and the listening ability of a true master. (His talent has been praised by Victor Wooten, Oteil Burbridge, Ellie Mannette, and others.) Bassist Cody Wright, the group’s newest addition, rounds out the ensemble with a groundbreaking hybrid picking style stemming from his background as a highly practiced fusion guitarist. With gut-wrenching grooves and blistering, soulful melodic lines, Wright’s mix of flash and feel adds a unique depth to theFourchestra. Together, the group explodes onto stages with an indescribable sound that is as much felt as it is heard, and is said to have "a Thelonius Monk-like attitude with a Mozart creativity that works." (Pan on the Net) The group’s self-titled debut collaborative album features unparalleled sonic density and envelope-pushing compositions. Guest collaborators include Grammy winning masters Victor Wooten and Howard Levy (Béla Fleck and the Flecktones) and is fully orchestrated with horns and strings.
New DVD Preview https://www.youtube.com/watch?v=2DnYcK12rq0