Free Music at BAR EVERY Wednesday night in the back room!
**Please note that due to an incoming development the parking lot behind BAR is no longer accessible. For parking there is a lot across the street, parking garage next door or find street parking. Thanks**
Manic Productions and Redscroll Records present:
Led by founding member Toby Driver (also of Secret Chiefs 3), Kayo Dot emerged in Boston, MA in 2002 from the ashes of metal group Maudlin of the Well. Since then, Driver has led Kayo Dot through several lineup changes and dramatic stylistic shifts: from traditional metal, to atmospheric, avant-garde metal; and now with their new album Coffins on Io, the bats-in-your-belfry hard rock of Sisters of Mercy meets Peter Gabriel-era Genesis, Scritti Politti and early Roxy Music.
In 2013, Kayo Dot demarcated the beginning of a sonic change by releasing their critically acclaimed conceptual double-albumHubardo. Undeniably experimental, but largely unclassifiable, Hubardo received rave reviews: SputnikMusic ranked it among their best albums of 2013, and CVLT Nation called it, “mesmerizing avant garde blackened doom,” and a “towering achievement.”
But when it comes to Kayo Dot, change is the only constant. And like the best pop culture chameleons of the past, Kayo Dot’s evolution is governed by an inscrutable inner-logic. Despite the accessible songwriting of Coffins on Io and the emphasis on vocal melody and electronic percussion, Kayo Dot fans will find the record’s darkness and intensity familiar and relatable. For example: the dark wave of Coffins on Io album-track “Off-ramp Cycle” might be unrecognizable to Kayo Dot’s metal fans. “The sound is kind of like a sexy combination of Type O Negative, Peter Gabriel, Sisters of Mercy,” Driver says. But the track also encompasses the brooding menace of classic Bauhaus as well as current dark wavers Cold Cave and Crystal Stilts: artists young and old who live and die in those unknowable corners where heaviness meets delicacy and sincerity meets theatricality.
Elsewhere, Driver’s penchant for prog rock surfaces in the ethereal “Spirit Photography,” complete with a saxophone melody line—strikingly gentle when compared to Kayo Dot’s brutal back catalog. “Long Time Disturbance on the Miracle Mile” could be a Bryan Ferry-era Roxy Music cut, and “The Mortality of Doves” could be Eno-produced David Bowie.
Driver says there’s also an element of sexuality in Coffins on Io.“Basically the vibe that we’re going for here is inspired by 80s retro-future noir— Blade Runner,” Driver explains. “I wanted to make a good record to put on while you drive across the desert at night under a toxic, post-apocalyptic atmosphere,” he says, adding, “There’s a weird underlying theme of murder, shame and death.”
Shilpa Ray is a wailing, fire breathing Cyclops. She tornadoes everything in her path: small towns, big cities, and children's dreams. One of her fans commented on a YouTube video, "If there's a heaven, I want God to hire Shilpa Ray to sing the list of my sins." Within a few hours, she had a day job working for Saint Peter. Ray has ripped off all the greats—The Gun Club, Tom Waits, The Doors— and recently pulled off a triple rip: ripping off Nina Simone ripping off Screamin' Jay Hawkins ripping off the Devil.
Shilpa Ray released her album Teenage and Torture in 2011 on Knitting Factory Records and found her biggest fan in Nick Cave who started telling music journalists she was his favorite current band. Cave brought her on tour as support for a few Grinderman dates, recorded the Wiel/Brecht song "Pirate Jenny" with her for Hal Wilner's Rogues Gallery: Pirate Ballads, Sea Songs and Chanteys II, and then hired her to sing backup on his Spring 2013 Bad Seeds tour as well as main support for their Fall 2013 UK and Europe tour to promote her new 4-song EP It's All Self Fellatio, Shilpa Ray on his record label Bad Seed LTD. She has also served as main support for Man Man and Acid Mother's Temple as well as the opening act for Elvis Costello, Patti Smith, and A Place to Bury Strangers.
She currently works and plays with her 4-piece band and is releasing her latest album Last Year’s Savage on May 19th 2015 on Northern Spy Records.
Philadelphia’s Hex Inverter delivers their debut self-titled release via Redscroll Records and Translation Loss Records. Hex Inverter consists of lo-fi songs/soundscapes that draw influence from Pink Floyd, Genesis and your favorite 70’s horror film scores.
FREE / 21+ / 9pm doors