Townsquare Media presents CT on Tap Brews & BBQ Festival, featuring Robert Randolph & the Family Band.
Tickets: $15 Advance / $20 At Gate
Please note that for this event, patrons must bring their own chairs or blankets. Also, no food or beverages will be allowed into the venue. No re-entry.
More info at http://americaontap.com/brews-bbq/.
ROBERT RANDOLPH AND THE FAMILY BAND
When Robert Randolph talks about his new album, Lickety Split, a few words come up over and over—"joy," "freedom," "energy." Which is no surprise, really, because those are the same things that immediately spring into a listener's mind when these twelve tracks from the virtuoso pedal steel guitarist and his longtime accompanists, the Family Band, explode out of the speakers.
"My thing is really upbeat, uptempo, with great guitar riffs," says Randolph, summarizing his musical ambitions, "but also catchy choruses and lyrics that someday will make this music into classic tunes."
Robert Randolph & The Family Band first gained national attention with the release of the album Live at the Wetlands in 2002. The band followed with three studio recordings over the next eight years—Unclassified, Colorblind, and We Walk This Road—which, together with tireless touring and unforgettable performances at such festivals as Bonnaroo, Austin City Limits, and the New Orleans Jazz and Heritage Festival, won them an expanding and passionate fan base. Randolph's unprecedented prowess on his instrument garnered him a spot on Rolling Stone's "100 Greatest Guitarists of All Time" list, and also attracted the attention of such giants as Eric Clapton and Carlos Santana, who have collaborated with him on stage and in the studio.
Most recently, Randolph has attempted to amplify the tradition from which he came by executive producing the Robert Randolph Presents the Slide Brothers album, a recording which features some of the older "sacred steel" players from the House of God church who inspired him to pick up an instrument. "This is part of my whole story, which a lot of people don't understand," he says. "In our church organization, playing lap steel in church has been going on since the 1920s. These guys were my mentors, my Muddy Waters and B.B. Kings. Thinking that I started this style is like saying Stevie Ray Vaughan was the first guy to play the blues. I wanted to do this record so that everybody could understand the story and start connecting the dots."
He is also taking a bold new step by remodeling an abandoned school building in his hometown of Irvington, New Jersey and opening the Robert Randolph Music and Arts Program. "There hasn't been any arts in the schools, period, since I was in high school," he says. "So my whole motivation changed to a full-on effort to get these kids into music, and also find out what other passions they have and try to offer that. These kids don't have anything to do, they don't have any hope."
With a new label, a new dedication to his craft, and a new sense of responsibility in his life off-stage, it seems like Lickety Split might also represent the urgency Robert Randolph is bringing to all of his efforts these days. "I'm still undiscovered, and that's really the best thing about it," he says. "Now we have the chance to present the music right, and have the story told right, and for me to be focused on being an ambassador for inner-city kids and a role model, and also an ambassador for my instrument and as an artist. As all these things happened, it got fun again."